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LEARNING CURVE

Thursday, August 20th, 2009

I am taking a four week Blog Triage class with Alyson Stanfeld and Cynthia Morris . My homework for today is to describe the people I want to visit and read my blog. So whoever you are guess you are in this “learning experience” with me because I have to do the homework on my blog.

Having visited other blogs from time to time I am well aware of what holds my interest and what turns me off very fast.  Am assuming that could be true of others.

MY GOAL IS     to learn how to have a blog that I wouldn’t mind taking my own time to read.

TIME IS PRECIOUS. I will try to have a blog that would not be a waste of time to read but would leave you with something pithy and thought provoking about whatever the topic of the blog may be.

MY HOPE IS  that my blog readers would also share their ideas.  Not particularly heavy just something interesting.

IDEAS ARE EXTREMELY FASCINATING TO ME.

ALL of my paintings are based on particular ideas that can’t wait to be expressed visually.

ALL have a story to tell about the ideas that motivated me to paint them.

When I have the opportunity to explain one of my paintings I have found the conversation both stimulating and interesting for all involved. From time to time I will explain the ideas that are illustrated in my paintings.

MY NEWER PAINTINGS and many of my other paintings have a connection with MUSIC.

I will explain this later. After I figure this blog thing out.


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Jane Renau Denison’s New Blog

Sunday, March 29th, 2009

Welcome to my Blog.

I intend to post information and ideas that will help clarify where I am coming from along my never ending and ever changing adventure of the creative process.

Where I am going is yet to be seen.

An artist that I have studied with and that has influenced me the most was Dale Chisman.

History_7_th

History

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Paintings by Dale Chisman

Fall

We had a student teacher relationship as well as one that was friend to friend.

Over the last few years that he was with us I would take lunch to his home/studio about once a month. We would have marvelous talks about art and (interestingly) metaphysics. We also talked on the phone when there were more things we wanted to share.

Dale was such an inspiration not only for me but for countless students and friends that had the privilege of knowing him.

The following is my tribute to Dale Chisman.

Dale Chisman, teacher by Jane Denison, student

I first met Dale when I was a student in his Master Class at the Denver Art Students League.

I had the privilege of being one of his students for several years. A Master Class means that the artist already knows how to paint but wants individual guidance from an instructor.

Dale’s class filled two rooms. You had to sign up months in advance and there was always a waiting list. In the 2007 Art Students League Exhibit of the Students of Dale Chisman it was very obvious, because of the variety of techniques, that each student had been allowed to maintain and develop his/her own style of painting. This creative freedom was the primary attraction to his classes.

Dale had the uncanny ability to reach students where they were in their development, see their potential and nurture this creativity all within his own good humored manner. He had a vast knowledge of the works of other artists around the world and would recommend to a student just the right ones to study and research to better enhance the direction of their own styles.

Through this exposure I am developing my own library of artists who continue to influence and inspire my creative curiosity. You would not only learn from his comments to you but from his conversations with other students as well. He was teaching us how to better critique our own work which is an art in itself.

From time to time his students had the rare privilege of going on gallery or museum tours with him and listening to his explanations of Contemporary Art. I told him that some day I hoped to be able to understand his style of painting. He explained this would come from an appreciation of what he called “High Art”.

When I heard him expound with delight the nuances of a huge painting in the Museum of Contemporary Art I began to understand where he was coming from.

He saw the entire canvas as an exciting arena full of colors, tension, harmony, shapes, relationships, layers, etc. all playing off each other in endless activity. Each form and color in the painting was appreciated for itself. By the very nature of the boundaries of a canvas a painting can seem restricted. A contemporary abstract painting has a sense of expanding forever because shapes and colors seem to extend beyond the canvas. This was a style used by Dale in all of his painting. From his urging I learned to try not to have shapes look like they represented a thing or a familiar object. These would be intrusions stopping the eye and demanding the mind’s attention. The viewer would then lose the flow and entertainment factor so essential in abstract painting.

Dale expressed his ideas in a variety of sizes but most enjoyed painting on very large canvasses working on several at the same time in his big studio. He always encouraged his students to expand their paintings to larger and larger canvasses. As Dale would talk about his own work you had the sense that he was entering into the canvas and surrounding himself with the ideas he was painting. He gave each piece a lot of thinking time as well as painting time. He no longer did sketches of what he wanted to paint but let the painting itself develop as he worked on it. It was in constant flux until he felt it was a finished piece. Sometimes you could see an under painting of shapes he had covered over as the painting developed. If there happened to be a drip or a dribble of paint he would leave it alone. I learned that those techniques showed the hand of the artist and gave the painting depth so was left with purpose.

An example of his interest in his students was when last year Dale came with me to The Great Western Art Gallery to see my paintings and check out the gallery. He enjoyed seeing my work displayed and commented on each piece with great insight and enthusiasm. That experience was an art students dream come true.

2008

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  • About the Artist

    Jane Renau Denison is a professional Colorado Artist with national and international audiences. Although originally a native Kentuckian with a collegiate Fine Arts Degree Jane has lived and studied art in Colorado since 1969. Her home studio is nestled in the Foothills of the Rocky Mountains south of Denver.
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